If you happen across an old Nikkormat in a junk shop etc, you might wonder, what the hell is this?! It doesn’t SAY Nikon but it has a Nikkor lens and the name plate reads “Nikkormat,” or “Nikomat.” Is this some sort of cheap Nikon knock-off? But it’s weighty and machining is quite handsome. What […]Read more "Nikkormat, Brutish & Beautiful"
What are your go-to focal lengths? I shoot most of my work within the 50-90mm range. But everyone needs a jump-start to their creativity once in a while. A different lens can helps us take our work in different directions but also can improve what we already do. Yes, folks, the equipment matters. Previously, I […]Read more "The Voigtländer 15mm 4.5 Heliar & An Introduction to Rectilinear Super Wides"
As a user of a modest pile of vintage thread mount Leica lenses, I’ve found that shooters often skimp on using shades with these little wonders. Sadly, some of these lenses get a bad rep as a result of what is essentially, improper use. The driver is most certainly, cost. Perhaps not surprisingly, vintage Leica […]Read more "Throwing Shade: XOONS, SOOPD, FISON, FIKUS & Other Made-Up Words"
Like many photojournalists, I love the 35mm focal length. It’s said to be close to what the human eye sees, making it intuitive in use. For those of us raised on 50mm, a 35 reminds one to include more context in a scene. And on a practical level, 35 has more DoF than 50 and […]Read more "Which New Leica M-Mount 35mm 1.4?"
Nobody would argue that knob-wind Leicas are fine cameras that look as beautiful as they perform. With use of more modern designs, however, it doesn’t take long to realise that these cameras are a bit slippery in the hand, due to the symmetrical rounded sides and lack of front or rear grip. A neat accessory […]Read more "A Thumbs Up for a Knob Wind"
Sometimes the dumbest ideas are perpetuated on the internet. Storing ones film in the fridge is one of them. Like many adamant film photographers, I too, used to buy months or even years worth of film when there was a sale. And I’d store it in a little mini fridge. I would open the door […]Read more "Your Film Doesn’t Need to be Refrigerated; Less Shopping. More Shooting."
I first met film photographer, Brian Henry without realising who he is. You see, around 2011, Brian was processing my film pretty regularly at a lab in Baltimore. Somehow, I connected the dots between our interactions there and his posts in the Film in Baltimore group, so I began following Brian’s work. I also take […]Read more "The Instant (Film) Decay of Brian Henry"