I have a very controversial little tool to thank for the cleanliness of my negatives; the Dot Line DL-6121, more commonly known as a rubber squeegee. Many shooters will tell you that squeegees scratch negatives and to avoid them at all costs. I followed this advice for years but then came to firmly disagree with […]Read more "Standing Up for Squeegees"
Say what you will about wedding photography but few other gigs will allow you to party with beautiful people without having to even know a single dance move. My wife and I are freelance wedding photographers. She shoots digital and I shoot on b&w 35mm film. I use vintage, all manual cameras and lenses and […]Read more "Wedding Receptions on Film; No Flash, No Automation"
Nobody would argue that knob-wind Leicas are fine cameras that look as beautiful as they perform. With use of more modern designs, however, it doesn’t take long to realise that these cameras are a bit slippery in the hand, due to the symmetrical rounded sides and lack of front or rear grip. A neat accessory […]Read more "A Thumbs Up for a Knob Wind"
Sometimes the dumbest ideas are perpetuated on the internet. Storing ones film in the fridge is one of them. Like many adamant film photographers, I too, used to buy months or even years worth of film when there was a sale. And I’d store it in a little mini fridge. I would open the door […]Read more "Your Film Doesn’t Need to be Refrigerated; Less Shopping. More Shooting."
Actor Charles “Chuck” Craig passed away at age 87 on Sunday, February 24th. Craig’s screen time was brief but impactful. He played an integral part in George A. Romero’s horror classic, NIGHT of the LIVING DEAD. Because of the low budget nature of it, Craig actually plays three roles in the film. He plays a […]Read more "Remembering NIGHT of the LIVING DEAD’s Chuck Craig"
Within the motion picture industry, William Gray’s storied history as a production photographer and his love for film proceeds him. In the early 2000’s, I worked with director Bob Giraldi on a Super 16 commercial campaign. I took production stills on my Nikon FM’s and Kodak Retina, catching the attention of the crew. It became […]Read more "Interview with Production Photographer, William Gray"
While I have a pretty tight camera system and methods for shooting paid work, when shooting freely and creatively, I like to try a variety of cameras and lenses. I find that doing this can offer a fresh vision and shakes up my personal conventions, allowing me to take things in new directions. Every day […]Read more "Three Interpretations of Conduit"