It’s a question that I think many photographers, film and digital alike, dismiss before even considering it: Do professional film photographers still exist? Most people would say, no. But I think there’s an inaccurate narrative about film’s place in modern photography. And it might stem from the lack of noise that pro film shooters make […]Read more "Do Professional Film Photographers Still Exist?"
Most prime lens SLR kits are a 28-50-85 or 135. Most rangefinder kits are a 28 or 35-50-90. 75mm is an odd focal length. I don’t think it’s even available for SLR’s and most rangefinder shooters fall on the side of either 50 or 90 – the distinction between normal and portrait focal lengths. 75. […]Read more "An Odd Length; Voigtländer 75mm 2.5 Heliar"
International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. With all of us spending so much time at home lately, I have gotten a number of emails asking for […]Read more "Rating + Processing for Available Light Portraits – EI 1600 ISO"
So you want to take some photos of the fireworks with your Fuji Instax instant film camera this Independence Day & you’re wondering how to do that. Well, you’re on the right track by studying up BEFORE loading up your camera & heading out to a fireworks show. While seasoned photographers who don’t shoot film anymore […]Read more "Photographing Fireworks with Fuji Instax"
Trying something a bit different for this small project. I gathered an Underwood portable typewriter, a Zeiss Ikon folding camera, Bell rotary telephone and a General Electric electric fan. I set them out on a wood floor in my home and photographed these objects using three integral instant film cameras, a very new Fuji Instax Mini […]Read more "Camera. Typewriter. Telephone. Fan."