It bears repeating: International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. That was the intro I used in my previous entry: Rating + Processing for Available Light Portraits […]Read more "Rating + Processing for Available Light Portraits – EI 3200 ISO"
Since buying, shooting and writing about the Voigtlander 40mm 1.4 Nokton MC, I feel like I see this lens everywhere! I didn’t realise how popular it is. The blog I wrote about it is my third most viewed of all time, I see it mounted to many of the cameras that I read reviews of […]Read more "One Year with the Voigtlander 40mm 1.4 Nokton MC"
Maybe you’ve read my previous entry, detailing all the things wrong with the current three 35mm 1.4 lenses available in Leica M mount. I got some good recommendations but ultimately, my decision came down to price and ergonomics. It took a lot of consideration and reading but I finally made a decision. But not 35mm. […]Read more "Voigtländer 40mm 1.4 Nokton Classic MC Review"
I guess that I don’t typically shoot my Leitz 50’s in wooded areas. But slowly, an image here, and image there, I began to notice something. When I shot portraits at closer distances and wider apertures in wooded areas with my Leitz Summitar and Summarit lenses, I got something unexpected. Something that I’d always associated […]Read more "Discovering The Swirl"
Fact. I have owned a copy of every SMC-M 50mm lens that Pentax ever made.Read more "Pentax SMC 50mm 1.2"