Choosing Leica mount lenses is always a bit of a struggle for me. I can find things I like and don’t like about them all. And the ones that meet my ideal specs are often out of my price range. So I will end up buying another lens as a reaction to something I did […]Read more "5 LTM 50’s for $500 or Less"
If you’re okay with giving inconceivable amounts and forms of personal information to Big Data, you may as well use your smart voice assistant to help you process your film too! And while there are no consumer AI’s that have hands yet, they are still willing to help film photographers the best that they can. […]Read more "“Alexa, Process My Film!”"
It’s what we call a photograph that appears to be made with little consideration for the tenants of imaging and principles of design. Voigtländer has a lens named after it. It’s usually proceeded by the word “quick.” What is really meant when we call something a “snapshot?” I started thinking about this because, when I […]Read more "What is a Snapshot?"
It’s a question that I think many photographers, film and digital alike, dismiss before even considering it: Do professional film photographers still exist? Most people would say, no. But I think there’s an inaccurate narrative about film’s place in modern photography. And it might stem from the lack of noise that pro film shooters make […]Read more "Do Professional Film Photographers Still Exist?"
Are you interested in shooting black and white and want to know what film to start with? Do you you use a lab to process your work, or do C41 at home? I highly recommend giving Ilford XP2 a spin. Ilford XP2 400 Super is a unique stock because it’s a chromogenic (color) film that […]Read more "Ilford XP2 – A Smart Go-To B&W Film"
In early 2019, the film community was pretty stressed out, and with good reason. The nearly two century old chemical manufacturer, Tetenal appeared close to shutting down. Many photographers have probably never even heard of this company, but Tetenal has been “the man behind the curtain” for many of Kodak’s products for decades. The product […]Read more "These Photos Were Processed In Kodak’s New HC110 In Spite of The Product’s Single Flaw"
Most prime lens SLR kits are a 28-50-85 or 135. Most rangefinder kits are a 28 or 35-50-90. 75mm is an odd focal length. I don’t think it’s even available for SLR’s and most rangefinder shooters fall on the side of either 50 or 90 – the distinction between normal and portrait focal lengths. 75. […]Read more "An Odd Length; Voigtländer 75mm 2.5 Heliar"
If your New Year’s resolution is to start processing your own b&w film at home, or you’re just interested in comparing notes, I thought it would be handy for me to share my darkroom grocery list. Disclaimer – I am not a chemist! I’m just a photographer who has found some products and methods that […]Read more "Johnny Martyr’s B&W Darkroom Grocery List"
International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. With all of us spending so much time at home lately, I have gotten a number of emails asking for […]Read more "Rating + Processing for Available Light Portraits – EI 1600 ISO"
This time last year, photographer Thomas Eisl and I set out to dispel myths and to remind the world that we could still buy the world’s last newly made 35mm SLR, the Nikon F6, brand new. Sadly, nearly exactly one year later, Nikon has officially announced that this important camera is being discontinued after a […]Read more "Autopsy of the Nikon F6"