Film photographers love old gear. But what about NEW gear? As our equipment ages and continues to be used, things are simply going to deteriorate. When possible, I like to buy NEW photo equipment that’s relevant to what I do. It provides a better user experience for me than dealing with eBay returns and relentless […]Read more "Nikon Film Shooters, Buy New!"
What do House of Cards, Whale Wars, Michael Jackson’s Beat It, the Walking Dead, Parks and Recreation, Wedding Crashers, and Sex in the City 2 all have in common? I’ve photographed members of their casts and crews! Being a photographer is reason enough to be somewhere special and meet interesting people. If you shoot production […]Read more "My Life As A Production Still Photographer"
Within the motion picture industry, William Gray’s storied history as a production photographer and his love for film proceeds him. In the early 2000’s, I worked with director Bob Giraldi on a Super 16 commercial campaign. I took production stills on my Nikon FM’s and Kodak Retina, catching the attention of the crew. It became […]Read more "Interview with Production Photographer, William Gray"
A lens that has been a long-time staple in my Nikon kit, since about 2005 actually, is my Nikkor 85mm 1.8 K AI’d. I chose the 85/1.8 for the reasons many people reach for an 85/1.8; available light portrait work and a little smaller, lighter, less expensive, easier to control lens than an […]Read more "Go-To Portrait Lens: Nikkor 85mm 1.8 K AI’d"
Going on a trip? If you’re shooting on film, don’t forget that you need to get it safely through an x-ray scan at each airport that you move through!Read more "Flying with Film in the 21st Century"