Shortly before I returned to processing all my own b&w film, I shot Ilford XP2 and Kodak BW400CN when I wanted monochromatic images. These were the only two chromogenic C41 process films ever on the market to my knowledge. What this means is that these films created a b&w image but were made up of […]Read more "Reminiscing: Kodak BW400CN"
Fact. I have owned a copy of every SMC-M 50mm lens that Pentax ever made.Read more "Pentax SMC 50mm 1.2"
Tricia is one my wife Stephanie’s best friends and today is her birthday. Tricia was one of the first people to whom Stephanie introduced me when we first started dating. And Tricia is one of the people who’s been most consistently THERE in Stephanie’s and my life to see us through our various stages, always […]Read more "My Favourite Photos of Tricia"
With film shooters moving to larger formats and digital shooters using face-palm-inducing software to emulate the look of film, a 35mm shooter begins to wonder “What cool characteristic can 35mm film provide that no other format can?” Enter the frame burn. Unexposed 35mm film comes to us in a metal canister with a […]Read more "35mm, the Art of the Frame Burn"
Ektar has been the name for various products from Kodak since the 1930’s. Apparently the word is derived from combining “Eastman” with “Tessar,” the famed Zeiss lens. Today, Kodak Ektar film is probably one of the coolest, most ambitious films that has been released in the 21st century. When it hit the streets in 2008, […]Read more "Film Review: Kodak Ektar 100"