Mailing out cameras and lenses for maintenance can a harrowing experience. On one hand, I’m excited to get equipment back to 100% but on the other, I get so nervous about loss or damage in the mail. Or just plain bad news from the repairer. And then, of course, I can’t keep using the camera […]Read more "Mailing out the M6"
Most prime lens SLR kits are a 28-50-85 or 135. Most rangefinder kits are a 28 or 35-50-90. 75mm is an odd focal length. I don’t think it’s even available for SLR’s and most rangefinder shooters fall on the side of either 50 or 90 – the distinction between normal and portrait focal lengths. 75. […]Read more "An Odd Length; Voigtländer 75mm 2.5 Heliar"
Since buying, shooting and writing about the Voigtlander 40mm 1.4 Nokton MC, I feel like I see this lens everywhere! I didn’t realise how popular it is. The blog I wrote about it is my third most viewed of all time, I see it mounted to many of the cameras that I read reviews of […]Read more "One Year with the Voigtlander 40mm 1.4 Nokton MC"
*photos and text depict July 2019 There they were, a continuous, almost organized line of middle-aged men in various stages of unfolding tripods, mounting massive DSLR’s on them, carefully aiming long lenses at indeterminate points in the darkening late evening sky. The LCD’s lit their faces with a soft glow as they took test shots […]Read more "Photographing Fireworks with a 90 Year Old Leica"
Guest blog; all text and photos by Ben Eisendrath, depicting his experience on Sunday May 31st, 2020 When the crowd’s chants and weight against the steel barricades diminished, the wall of police stepped back, careful to remain shield-to-shield. The quieter the protesters, the further away law enforcement fell. But when the chants turned instead to […]Read more "One Photographer’s Experience; the George Floyd Washington D.C. Protests"
A while back, fellow blogger/photographer Mike Eckman sent me his three favorite Leica copies to compare to my originals. I posted a brief intro before I assessed a Leica II clone, the Zorki-1c. Next was a variation on the classic Barnack design, the Zorki-3. Today’s third, and final review is a curve-ball in every sense, […]Read more "Martyr’s Leica’s vs. Eckman’s Copies: Canon IVsb"
You may have visited my blog expecting the final installment of Martyr’s Leica’s vs. Eckman’s Copies and a review of the Canon IVsb. However, as this isn’t a paid site and my inspiration/motivation is a wavering mess, I’ve decided to postpone the IVsb blog another week (hopefully). Instead, I humbly submit, for your enjoyment and/or […]Read more "Sidetracking with the Voigtlander Bessa R2 and Series Overview"
Recently, fellow blogger/photographer Mike Eckman sent me his three favorite Leica copies to compare to my originals. First, I provided a brief introduction. And last Tuesday I posted my thoughts on the popular Zorki-1c. Today’s review is for another of Mike’s Soviet Leica copies, the Zorki-3. So this is where Leica copies get interesting to […]Read more "Martyr’s Leica’s vs. Eckman’s Copies: Zorki-3"
Recently, fellow blogger/photographer Mike Eckman sent me his three favorite Leica copies to compare to my originals. I introduced this four part blog last Tuesday and will pick up with the first Leica copy review today with Mike’s Soviet-built Zorki-1c. Despite having nearly two decades to improve or just modify it, the 1951 Zorki-1c and […]Read more "Martyr’s Leica’s vs. Eckman’s Copies: Zorki-1c"
It’s totally unnecessary to write yet another article extolling the historical relevance of the early Barnack Leica cameras to photography. After a century of influence, everyone knows the story of how Oskar Barnack, Ernst Leitz and Max Beret revolutionized photography with their tiny, intuitive 35mm cameras and lenses during the 1920’s and ’30’s. Perhaps a […]Read more "Martyr’s Leica’s vs. Eckman’s Copies: Introduction"