I have a very controversial little tool to thank for the cleanliness of my negatives; the Dot Line DL-6121, more commonly known as a rubber squeegee. Many shooters will tell you that squeegees scratch negatives and to avoid them at all costs. I followed this advice for years but then came to firmly disagree with […]Read more "Standing Up for Squeegees"
Say what you will about wedding photography but few other gigs will allow you to party with beautiful people without having to even know a single dance move. My wife and I are freelance wedding photographers. She shoots digital and I shoot on b&w 35mm film. I use vintage, all manual cameras and lenses and […]Read more "Wedding Receptions on Film; No Flash, No Automation"
I first met film photographer, Brian Henry without realising who he is. You see, around 2011, Brian was processing my film pretty regularly at a lab in Baltimore. Somehow, I connected the dots between our interactions there and his posts in the Film in Baltimore group, so I began following Brian’s work. I also take […]Read more "The Instant (Film) Decay of Brian Henry"
With film shooters moving to larger formats and digital shooters using face-palm-inducing software to emulate the look of film, a 35mm shooter begins to wonder “What cool characteristic can 35mm film provide that no other format can?” Enter the frame burn. Unexposed 35mm film comes to us in a metal canister with a […]Read more "35mm, the Art of the Frame Burn"