Photo work is slow in the winter – it’s a time for me to explore my personal photography and email clients about shoots during warmer, upcoming months. With my free time, I’ve been trying to make a habit of practicing street photography on mornings in downtown Frederick, Maryland. On previous shoots, I used my 1930 […]Read more "Drawing Attention to Street Photography"
Kodak Tri-X, as a concept, has been around since the 1940’s when it was a 200 ISO b&w sheet film. Because it was their first fast film, when Kodak released the 400 ISO roll film version, the Tri-X name was maintained. Just like Kodak TMAX P3200 revolutionized low light photography in 1989, Tri-X was an […]Read more "Happy Birthday, Kodak Tri-X"
Choosing Leica mount lenses is always a bit of a struggle for me. I can find things I like and don’t like about them all. And the ones that meet my ideal specs are often out of my price range. So I will end up buying another lens as a reaction to something I did […]Read more "5 LTM 50’s for $500 or Less"
It’s a question that I think many photographers, film and digital alike, dismiss before even considering it: Do professional film photographers still exist? Most people would say, no. But I think there’s an inaccurate narrative about film’s place in modern photography. And it might stem from the lack of noise that pro film shooters make […]Read more "Do Professional Film Photographers Still Exist?"
Are you interested in shooting black and white and want to know what film to start with? Do you you use a lab to process your work, or do C41 at home? I highly recommend giving Ilford XP2 a spin. Ilford XP2 400 Super is a unique stock because it’s a chromogenic (color) film that […]Read more "Ilford XP2 – A Smart Go-To B&W Film"
In early 2019, the film community was pretty stressed out, and with good reason. The nearly two century old chemical manufacturer, Tetenal appeared close to shutting down. Many photographers have probably never even heard of this company, but Tetenal has been “the man behind the curtain” for many of Kodak’s products for decades. The product […]Read more "These Photos Were Processed In Kodak’s New HC110 In Spite of The Product’s Single Flaw"
I touched on this topic a little bit in a previous blog about hoods for various LTM lenses entitled Throwing Shade, but I wanted to drill down on lens hood options for the Leitz 50mm f2 Summitar. As previously stated, I think that earlier Leitz lenses require a hood in many circumstances to perform their […]Read more "Lens Hoods for the Leica Summitar"
If your New Year’s resolution is to start processing your own b&w film at home, or you’re just interested in comparing notes, I thought it would be handy for me to share my darkroom grocery list. Disclaimer – I am not a chemist! I’m just a photographer who has found some products and methods that […]Read more "Johnny Martyr’s B&W Darkroom Grocery List"
It bears repeating: International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. That was the intro I used in my previous entry: Rating + Processing for Available Light Portraits […]Read more "Rating + Processing for Available Light Portraits – EI 3200 ISO"
A few years ago, I photographed a Veruca Salt concert at the 9:30 Club in Washington DC. I wasn’t an official photographer, I was just having fun with the then still available Fuji FP-3000b peel apart instant film and my 1960’s Polaroid Automatic Land camera. But it was a great night anyway and I’ll always […]Read more "A Post About Louise Post and the Importance of Photography"