There’s a lot that I don’t know about Papermoon Diner in Baltimore, Maryland. And what I think I know, I may not even remember correctly. Sometimes, I’m not even sure how to get there. I bet that with the quickest bit of Googling, I could easily find the basic information; when it opened, who the […]Read more "Time Traveling with Papermoon Diner"
Mailing out cameras and lenses for maintenance can a harrowing experience. On one hand, I’m excited to get equipment back to 100% but on the other, I get so nervous about loss or damage in the mail. Or just plain bad news from the repairer. And then, of course, I can’t keep using the camera […]Read more "Mailing out the M6"
Most prime lens SLR kits are a 28-50-85 or 135. Most rangefinder kits are a 28 or 35-50-90. 75mm is an odd focal length. I don’t think it’s even available for SLR’s and most rangefinder shooters fall on the side of either 50 or 90 – the distinction between normal and portrait focal lengths. 75. […]Read more "An Odd Length; Voigtländer 75mm 2.5 Heliar"
I touched on this topic a little bit in a previous blog about hoods for various LTM lenses entitled Throwing Shade, but I wanted to drill down on lens hood options for the Leitz 50mm f2 Summitar. As previously stated, I think that earlier Leitz lenses require a hood in many circumstances to perform their […]Read more "Lens Hoods for the Leica Summitar"
If your New Year’s resolution is to start processing your own b&w film at home, or you’re just interested in comparing notes, I thought it would be handy for me to share my darkroom grocery list. Disclaimer – I am not a chemist! I’m just a photographer who has found some products and methods that […]Read more "Johnny Martyr’s B&W Darkroom Grocery List"
It bears repeating: International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. That was the intro I used in my previous entry: Rating + Processing for Available Light Portraits […]Read more "Rating + Processing for Available Light Portraits – EI 3200 ISO"
A few years ago, I photographed a Veruca Salt concert at the 9:30 Club in Washington DC. I wasn’t an official photographer, I was just having fun with the then still available Fuji FP-3000b peel apart instant film and my 1960’s Polaroid Automatic Land camera. But it was a great night anyway and I’ll always […]Read more "A Post About Louise Post and the Importance of Photography"
You’ve probably heard by now that Fuji have discontinued what was for many shooters, their go-to, general purpose color film, Pro 400H. For anyone who’s been shooting film for more than a few years, we know this rodeo all to well. Fuji or Kodak announce a discontinuation (notice that Ilford never does). The bloggers pick […]Read more "On Fuji Pro 400H and Any Discontinued Stock"
International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. With all of us spending so much time at home lately, I have gotten a number of emails asking for […]Read more "Rating + Processing for Available Light Portraits – EI 1600 ISO"
This time last year, photographer Thomas Eisl and I set out to dispel myths and to remind the world that we could still buy the world’s last newly made 35mm SLR, the Nikon F6, brand new. Sadly, nearly exactly one year later, Nikon has officially announced that this important camera is being discontinued after a […]Read more "Autopsy of the Nikon F6"