Kodak Tri-X, as a concept, has been around since the 1940's when it was a 200 ISO b&w sheet film. Because it was their first fast film, when Kodak released the 400 ISO roll film version, the Tri-X name was maintained. Just like Kodak TMAX P3200 revolutionized low light photography in 1989, Tri-X was an... Continue Reading →
These Photos Were Processed In Kodak’s New HC110 In Spite of The Product’s Single Flaw
In early 2019, the film community was pretty stressed out, and with good reason. The nearly two century old chemical manufacturer, Tetenal appeared close to shutting down. Many photographers have probably never even heard of this company, but Tetenal has been "the man behind the curtain" for many of Kodak's products for decades. The product... Continue Reading →
Rating + Processing for Available Light Portraits – EI 3200 ISO
It bears repeating: International Center of Photography shooter James Mignogna once told me that a good photographer matches their light, lens, film and developer. Nowhere do I think these decisions are more critical than portraits in dim lighting. That was the intro I used in my previous entry: Rating + Processing for Available Light Portraits... Continue Reading →
Three Interpretations of Conduit
While I have a pretty tight camera system and methods for shooting paid work, when shooting freely and creatively, I like to try a variety of cameras and lenses. I find that doing this can offer a fresh vision and shakes up my personal conventions, allowing me to take things in new directions. Every day... Continue Reading →
My Summary of the Leitz 5cm 1.5 Summarit… in Two Shots!
Volumes have written about the much maligned and despised Leitz 5cm 1.5 Summarit. But, it's one of my favorite lenses and I can tell you why in just two photos! Shot One, taken at approximately 5 feet away from the subject at f4 with Kodak Tri-X 35mm film rated at 1600 ISO, processed in Kodak... Continue Reading →