What is a Snapshot?

It’s what we call a photograph that appears to be made with little consideration for the tenants of imaging and principles of design. Voigtländer has a lens named after it. It’s usually proceeded by the word “quick.”

What is really meant when we call something a “snapshot?”

I started thinking about this because, when I was in my 20’s, in art school and had loftier goals for my photography, “snapshot” was my favorite way to insult an image. But recently, being a bit older and having relaxed expectations of myself and others, another insecure 20 year old, who could very well also be currently enrolled in art school and be some sort of time-traveling doppelgänger, referred to one of my images as a snapshot, as a means to undermine it.

Maybe it was karma. But in any case, my thinking about the word had perhaps come full circle. Here’s why.

1930 Leica I/III | 1935 Leitz 5cm f2 Nickel Summar | Kodak Tri-X 400 | Kodak HC110b | www.JohnnyMartyr.com

I thought to myself; how could anyone who understands what its like to shoot on a vintage, all manual 35mm camera, call anything that I take, a snapshot?

But then I thought, haphazard is haphazard. Why should it matter how much effort went into setting up a camera if the resulting photo appears to be haphazardly taken?

I mean, it’s a blurry line, right? The Voigtländer Snapshot Skopar is a 25mm f4 lens, intended to be used with the hyperfocal distance method – ie. not accurately measuring focus via a viewfinder for each image. One could throw Sunny 16 exposure in with hyperfocal distance as a means of unmeasured snapshooting also.

And yet, we’ve all seen, and perhaps taken beautifully, well-composed, well-focused, well-exposed and beautifully deliberate-looking photos with wider lenses, using hyperfocal distance and Sunny 16. Or perhaps even less – using a pinhole camera.

And would we call any image taken with a fully automated camera a snapshot?

So what makes an image a snapshot, if it is in fact not determined by the amount of effort that went into setting the camera at the moment of exposure?

Is it simply composition alone? Surely there’s more to photography than just composition.

Is it forethought? Was there a lot or very little planning ahead that went into the creation of the image? How does that apply to photojournalism? Are all examples of photojournalism, examples of snapshots?

None of that seems right either.

1930 Leica I/III | 1932 Leitz 5cm f3.5 Nickel Elmar | Kodak Tri-X 400 | Kodak HC110b | www.JohnnyMartyr.com

The conclusion that I came to is what finally put my mind to rest regarding what snapshots are and if my photography could be considered mere snapshotography.

It doesn’t really matter.

“Snapshot” doesn’t have to be a negative word. Just as when Cosina dubbed their Skopar a Snaspshot lens, and just as people will say “let me take a quick snapshot,” the intentions are merely reflective of a particular method. Not necessarily a positive or a negative method, just another arrow in the photographers quiver.

Snapshots remind me that the measure of good photography has very little to do with how much effort that the photographer went to to make the image, though consideration of effort can add to the appeal.

A good photograph is simply a photograph that people enjoy.

And that’s all.

1930 Leica I/III | 1932 Leitz 5cm f3.5 Nickel Elmar | Kodak Tri-X 400 | Kodak HC110b | www.JohnnyMartyr.com

Photographers may enjoy recalling their efforts. But if nobody likes the image, nobody will care about these efforts. Only if audiences enjoy a photo might they then additionally find interest and potentially more appeal in understanding how it came to be.

For me, my photographs are sometimes very basic and maybe even bland, in terms of light and subject and composition. I tend to grasp at the efforts of the photographer to determine if an image is good or not because “good” is just so nebulous and fickle to define. But I like to think that if enjoyed, people will appreciate the backstory that I’m so passionate about; shot on film, with a cool old camera, processed and digitized by hand. From the heart and soul. But I have to remember, I can’t lean on the backstory to make the photo good.

For this blog, I chose some recent images that I took with my 1930 Leica. For me, shooting on this camera adds a little mythos to my photos. But does that matter? Would they be any stronger or weaker if taken with an iPhone? Are they snapshots because I didn’t set an 8×10 camera up on a tripod and wait for the perfect time of day to take them? Are they snapshots because I didn’t reserve studio time and coordinate with models/owners of the objects and put lights around them and have assistants to orchestrate every detail with me? Would doing any of that have resulted in stronger images?

So, snapshot or carefully crafted apex of achievement, they are both players on the same field. And either one can be a winner. Or a loser.

Thanks for reading, happy shooting.

Follow, Favorite, Like, Add, Insult, Contact Johnny Martyr 


6 thoughts on “What is a Snapshot?

  1. Snapshots are the Kodak Moments I capture with my digital device – G1x or iPhone – as “memories” to be enjoyed at some nebulous moment in the future – a privilege unique to the past century or so. Photographs are attempts to capture something more, even if not semantically quantifiable.
    For the former, anything that’s easy and delivers acceptable resolution is, as far as I can tell, equivalent.
    For the latter, equipment does matter, not out of “image quality” (the old film holder with a lens story) rather because the camera/lens system is a machine that makes demands on the user, and therefore interacts with the user. I’m certain that I “see” different depending on whether I’ve got an F3, the S2, or a Signet 35 in my hands. Horses for courses………..

    Liked by 3 people

  2. “It doesn’t really matter.” < This.

    I've seen carefully crafted photographs that have required great skill, technical prowess, specialised equipment and so forth which have done absolutely nothing for me. On the flipside I've seen "snapshots" that are inspirational. And vice-versa. It's all subjective. It's the photograph that counts – if you like it, then great. If you don't, well there are plenty of others to look at..

    We often seem to have a habit of finding ways to lord it over others with our ideas of superiority. Not one of our finest attributes.

    Liked by 3 people

  3. Hmm so I think I have (in the past) had a similar relationship with ‘Snaps’ as you. In my inner snobbery I would pigeonhole my photographs into these two categories depending on… well… now I think about it and try to write it, just some ambiguous feeling of how hard I tried when taking the shot and also if it was a family scene or something else; the something else more likely being a ‘Photograph’.
    This was probably more prevalent before I returned to film but I think it’s still there and I feel like digital photos probably have a higher ratio of Snaps to Photographs than film does (again internal snobbery).
    However, I was out recently with my family carrying my Prominent and took as ‘snap’ of my daughter as she walked past me on the path, it was quick and I didn’t really take time to check focus etc. The picture is far from sharp but it is (IMO) a great shot that captures her very well and is one of the favorite pictures I now have.
    So snap or not it has tremendous value to me.

    Liked by 2 people

  4. I was definitely an art school snob in the late 70s … as time went on, I sorta embrace all images to a degree. Anything that I find interesting is cool, no matter how it was taken/captured!!! Some “snapshots” are pretty high art in my opinion!!!

    Liked by 2 people

  5. Such a great article. I believe there is a such thing as a “snapshot” but frankly it’s not anything anyone on this forum would take. To me a “snapshot” as its’ intended to mean comes from a simplistic and automated camera system (the genesis of Canon’s Elph system for exampe) and captured by someone with zero aesthetic or purposeful foresight when it came to the image. The plethora of snapshots on smart phones is unprecedented. But for anyone to call anyone else images who would have an interest in the content on a sight like this a ‘snapshot’ totally misses the point of who snapshot photography was meant for.

    Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s